pussycat dolls

1-2, 1-2, 1-2….

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As with Dance Photography Music photography is another passion of mine.
Its very similar to dance photographically technically, you have a few people on a stage moving at times quite quickly under mixed lighting with no scope to say ‘here hold on a minute, can you go back a sec and repeat those lines’.
With larger bands/acts you tend to get better lighting but not always the case and in recent years the move towards led lighting which seems to be just above candle power in output has meant that gig and band photography remains technically challenging. Saying that of course the latest range of digital cameras almost turn nighttime into day and if they have a live view mode you could almost use them as night vision cameras. It makes sure that any student with a half decent camera and half decent lens will get a useable concert photo. Saying that at todays current prices for gig photos, even students with high street off the shelf equipment would still find the prices too low.
So you have two options, get smarter and shoot better pics, or give up. Well I have sort of done both. The market isnt enough now to sustain top of the range kit, ability to wire in onsite within seconds etc etc. Occasionally you do get ‘big’ events (Id the first UK pictures of the Arctic Monkeys after they hit it big and Id shots of Boyzones first night comeback) but in general theres someone beside you who will be happy to see their name in print and a willingness with most mags to be happy to accept a straight up and down shot because they dont have to pay a penny (or very little in subscription).

Pussycat Dolls

It means that the majority of shots arent by specialists any more and those that do submit have little or no imagination compared to those shooting every day. It was always going to be a hard sell anyway in Ireland because you can spend your life shooting every upcoming band for none of them to ever make it or get that middle of the tour shots, which unless stand way out from the crowd wont be much different from the 20 photographers in 10 countries before you.
Flaming Lips

Thats not to say there isnt merit in it or indeed money to be made but promoters dont really want photographers to cherry pick who they will shoot and theres always some give and take to help promote new acts in return for inclusion on the wish list for lady gaga or whoever is hot at the minute.
Lady GaGa

Add into that the current recession in the UK and theres less gigs about, people cant afford the 50-70 quid for a concert ticket that they used to spend only 2 years ago maybe once a month or in concert season, once a week.
People also have this glamourous idea that gig and concert photography is one of the best jobs in the world. Well the realities are somewhat different. The three songs and you are out rule applies. In some cases you dont get three songs, you might get 2 or one. One group came out recently to a video as their first song. So that leaves about 6 minutes to get the banker shots and try to get a good folio of shots that will spread across a range of publications. Quite tight going. Then after that theres the mad dash to get 3G or wifi connection to get your edits into the agency before everyone else does. Thats a lot of adrenaline and quite often it can be totally exhausting.
Try shooting a festival where its shoot, edit, wire, shoot, edit, wire, etc etc for maybe 6 or 8 hours. Add that over 2 days and just give me a sleeping bag in the corner.
Having said that some of my most loved shots come from this type of environment. Often you are in a pit of 4 maybe up to 10 or 20 photographers and in order to eat the following month you have to make sure every single shot counts. Trying to get interesting angles, tell the story, show the emotion and tie the images together really gets the cold sweat down your back going. I remember one act who I wont name was slightly under the weather coming out on stage and out of 400 shots of one band member I got 2 with their eyes open, and thats with them using a prop to keep them vertical during the show.
Another one I distinctly remember was lit by one single red spotlight, which by itself was enough to give a half decent exposure. Thats assuming they werent swaying backwards out of the light most of the time. Looking at the photos it reminded me of those old kids tv programmes where the clown with the big shoes was nailed to the floor and swayed backwards and forwards because of it.

With some groups they seem to go out of their way to make things difficult for you. One group who are notorious with photographers deliberately keep most of the stage lights off for the first three songs and once the lead singer said to us ‘right thats the freeloaders gone, we can get on with the show’. Charming. Hope you dont do anything stupid in your private life in the future… Another keeps the photographers at a huge distance away, takes your kit bags off you and has one security person for each photographer who ‘escort’ you ‘quickly’ out of the arena…. yes…. Particularly galling as you sit on the cold stone ground wiring pics in to see people with cellphones and compact cameras in the crowd uploading to flickr with impunity. Again the old maxim of being nice to people on your way up as you may need them on your way down.
I’ll not even give credence to the travelling pr company who thought it would be a good idea to put us in the crowd with all our equipment at a rappers concert. I have to say Ive never laughed as much as at the skinny white boys from belfast with their calvin kleins falling down round their arses getting down with the boyz in the hood. No seriously lads, take a long hard look at yourselves.
Then theres the concerts where you pray that the golden liquid flying towards you from the crowd is cheap lager beer and not the end product of an afternoon spent drinking that beer. Newcomers often ask why some of us at festivals shoot with our hoods up on sunny days.
Compare that with the hard working PR companies who get you spots in the press room, sort out wifi, keep you fed and watered and see if theres anything you need. Ive even had Louis Walsh sitting over my shoulder helping with photo selection. Normally something you try to avoid when you are sitting wiring away and someone over your shoulder is saying ‘oh thats a nice pic’, ‘ I like that’, ‘lovely’. I was just about to turn round and tell them to foxtrot oscar when I saw it was Louis so told him to pull up a chair.
As you can probably tell I wouldnt classify the most of it as fun so when a friend of mine Stephen Maguire mentioned to me that he was doing a gig in Belfast in support of Nanci Griffith I jumped at the chance to photograph it. I’ve known Stephen for a number of years now and we have become friends. Ive done a lot of static work with him for posters, album covers general PR, headshots etc but as most of his concert touring is in Canada I rarely get the chance to see him live never mind photograph him. In fact I’d never seen him live and was worried that I’d be too busy looking through the lens that I wouldnt even hear the gig. Its one thing that people ask after a gig, ‘what did they play’. ‘I dunno’ is invariably the answer as you are too busy concentrating on the job in hand then you are out.
Stephen was playing in quite an unusual and intimate venue, the May Street Church. I’d photographed it a few years earlier for the local press as it was rumoured it was closing due to dwindling attendances due to population movement out of the city centre. Its trying to regenerate as a venue and coffee shop downstairs as well as the church. Stephen was supporting Nanci Griffith as part of the Belfast Nashville Songwriters Festival.
Stephen Maguire

I have to say Ive never been as nervous photographing a gig in my life. Id never done it for a friend before and chatting over a coffee minutes before the gig I dont know who was talking the bigger pile of shite, me or Stephen. I stuck to my 3 songs rule and then slid up the aisle into the gloom to enjoy the rest of the show. I know Im biased but you know the way it is with friends, you will give support regardless of how you think they did. Well I thought Stephen was superb, great audience interaction and a great buzz during the set. I hate the phrase but its probably the one time you will hear me say it, Stephen, you rocked! (invoice is in the post).
Stephen Maguire

I’ll let the photos tell the next 1000 words but dont forget to check out Stephens website and Irish Soul 2010 tour.
Stephen Maguire

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